Newly Declassified Videos Shows U.S. Military Drone Strike that Murdered 7 Children and 3 Adults [all non-white]
/From [HERE] Newly declassified surveillance footage provides additional insights about the final minutes and aftermath of a botched U.S. drone strike last year in Kabul, Afghanistan, showing how the military made a life-or-death decision based on imagery that was fuzzy, hard to interpret in real time and prone to confirmation bias.
The strike on Aug. 29 killed 10 innocent people — including seven children — in a tragic blunder that punctuated the end of the 20-year war in Afghanistan.
The disclosure of the videos was a rare step by the U.S. military in any case of an airstrike that caused civilian casualties, and is the first time any footage from the Kabul strike has been seen publicly. The videos encompass about 25 minutes of silent footage from two drones — a military official said both were MQ-9 Reapers — showing the minutes before, during and after the strike.
The at-times blurry footage that operators were watching will continue to be scrutinized for new details about how the episode unfolded, while demonstrating the heightened risk of error that accompanies any decision to fire a missile in a densely populated neighborhood.
The military said it believed it was tracking an ISIS-K terrorist who might imminently detonate a bomb near the Kabul airport. Three days earlier, a suicide bombing at the airport had killed at least 182 people, including 13 American troops.
The New York Times obtained the footage of the strike through a Freedom of Information Act lawsuit against United States Central Command, which oversaw military operations in Afghanistan. The disclosure is likely to add fuel to a debate about the rules for airstrikes and protections for civilians in the era of drone warfare.
The videos — one of which is in grainy imagery, apparently from a camera designed to detect heat — show a car arriving at and backing into a courtyard on a residential street blocked by walls. Blurry figures are seen moving around the courtyard, and children are walking on the street outside the walls in the moments before a fireball from a Hellfire missile engulfs the interior. Neighbors can then be seen desperately dumping water onto the courtyard from rooftops.
The scenes unfolding on the video are murky. In retrospect, it is clear that the images were misinterpreted by those who decided to fire.
American operators on Aug. 29 had been tracking the driver of a white Toyota Corolla for about eight hours before targeting him in the mistaken belief that he was an ISIS-K member moving bombs. But the man was instead Zemari Ahmadi, a worker employed by Nutrition and Education International, a California-based aid organization.
In November, a Pentagon official said blurry images in the videos revealed the presence of at least one child in the blast zone about two minutes before the missile was launched, but stressed that spotting that was obvious only in hindsight and with “the luxury of time.”
The footage from one of the drones briefly shows what appears to be a blurry shorter figure in white next to a taller figure in black inside the courtyard as the car is backing in, about two and a half minutes before the explosion. Shuddering on the other drone’s footage, about 21 seconds before the explosion, suggests that might have been when it launched a missile.
Relatives have told The Times that some children rushed to greet Mr. Ahmadi — one getting into his car — when he got home to a compound where four interrelated families lived, and that others were fatally wounded in rooms alongside the courtyard.
The footage shows other figures of indeterminate height moving around the courtyard over several minutes as Mr. Ahmadi’s sedan backed into the compound, including one person opening the passenger door of the car just before the blast.
In the days after the strike, the military described a secondary explosion that it insisted supported the suspicion the car contained a bomb but later said was probably a propane tank. The footage shows a fireball from the blast, which expands about two seconds later, but it is tough to make out what is happening in the flare.
The heights of most figures inside the courtyard are difficult to determine because the footage was shot from overhead, making it harder to identify whether they might be children. The video with the better angle into the courtyard is in black-and-white and has lower resolution. The other video, which is in color, begins after the car was already backing in, but briefly shifts into black-and-white — apparently a thermal lens — at the moment of the strike.
Reached by phone, Emal Ahmadi, the brother of Mr. Ahmadi, whose daughter Malika was also killed in the strike, told The Times that he wanted to view the video himself, after having only heard descriptions from the military. “It will be difficult for me,” he said, “but I want to see it.”
Responding to a description, Hina Shamsi, an American Civil Liberties Union lawyer who is representing the families of the victims and Nutrition and Education International, which employed Mr. Ahmadi, said the footage highlighted “a painful, devastating loss of 10 deeply beloved people.”
Capt. Bill Urban, the spokesman for the U.S. Central Command, reiterated the Pentagon’s apology.
“While the strike was intended for what was believed to be an imminent threat to our troops at Hamid Karzai International Airport, none of the family members killed are now believed to have been connected to ISIS-K or threats to our troops,” he said. “We deeply regret the loss of life that resulted from this strike.”
The blurrier main video begins as the white car was approaching the courtyard, following the vehicle through several streets. It shows people moving in the courtyard several minutes before the strike, as the car stops and then backs in. A laser range-finder briefly appears about 70 seconds before the strike, and then returns and stays for the final half minute. Additional blurry figures are visible just before they are engulfed in flames.
The clearer video, which is mostly in color, starts as the car is backing in and reveals little about who was in the courtyard because of the angle from which it was shot. But it more plainly shows a figure opening the front-right door of the car just before the explosion, as well as children on the street outside the gated courtyard. [MORE]